Isabella Marie Swan ᗜ "Aegis" (
autokinetic) wrote2013-02-26 01:33 pm
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i'm a goddess of vicious precision
Because there are so many fewer diversions on this station than on the previous one, Aegis takes to those that are offered with more of an open mind than she might have done before. For instance, she stays after personal combat sometimes, to watch Sue sparring with Howlett. Now and then she takes a turn herself. Today she's just supervising.
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That is about to change.
Howlett attacks with the characteristically aggressive style of these after-hours sessions; Sue responds with equal force. They go back and forth for a while, a surprisingly even exchange considering the difference in skill level. Then Sue manages to grab Howlett's wrist, and he immediately spins, pulling the attached arm out straight and throwing his whole weight against the back of the elbow.
It makes a very nasty sound.
They don't even pause; Sue, laughing, presses the advantage, and Howlett defends, and despite his now-useless right arm he manages to hold Sue off for half a minute more.
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"What the hell? Did you just break his elbow?"
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"Yep!" says Sue, proudly. His victory having now been established, he lets Howlett up; the personal combat instructor rolls his shoulder a few times, waiting out several more nasty sounds, and then flexes the afflicted elbow. Good as new.
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"It's the best," says Sue. "I get to hit him as hard as I want."
Howlett looks amused.
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"I only found out 'cause I broke his nose a while back," says Sue.
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Sue rolls his eyes.
Howlett relents. "Politics," he explains. "If it gets around that a mutant's teaching personal combat at Tacical, and enough people get their panties in a twist, my job's probably going to be the first thing to give."
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"You've been a pill lately," she says, when she's between xenobio protein flashcards winking by in spaced repetition on her desk. She throws a rolled pair of socks at his back. "You okay? Has puberty eaten your personality, am I next?"
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"Yeah," he says with heavy irony, "it's all the hormones' fault."
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Then: birdbirdbird?
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You don't want to know, he says; the undertones are tired, sad, uncomfortable, ashamed.
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She's told him before that he's a multimedia presentation; what he shows her next is definitely in that vein. Sight, sound, physical sensation, emotional content - all muffled, at one extra remove, like he's shielding her from the full impact. For good reason.
It started a few weeks ago. One of the older kids, nearer graduation. They had a scuffle in the corridor, which is not all that unusual; what's unusual is that the other guy won. And he held Sue against the floor, and it felt wonderful and terrible and frightening in ways Sue didn't really understand.
Then the same boy found him again, another time. Again they fought. Again Sue lost. But this time, it did not end there.
He tried to push his suffering to make him back off, like he did with that gang back at Battle School, but this kid just mocked him for his conflicted feelings, for his shame, his fear, for the part of him that liked it.
He went to a teacher, after the second time. Not Howlett. He couldn't face Howlett with this. The teacher flatly told him it wasn't happening. Sue has never in his life been blown off with such absolute conviction. No help there.
Yesterday it happened again. He barely tried to fight back. His new best friend was very happy about that. Sue wanted to throw up, or maybe just gut himself. And, lest anybody doubt what a slut he is, he still got off on it.
When the narrative flood subsides, he's crying softly into his pillow.
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